I decided to see how art was made and what became of it once it was released to the public. At the time it wasn't out of the question to save a few hundred dollars and some air fare and travel to Europe. I also wanted to draw and paint along the way, to gather material that could fuel or become an entrance portfolio. For that purpose I took paper and pencils and watercolours. I saw art like I never seen it before. It was in the streets, in peoples homes it was everywhere. I met artists of all sorts, toured schools and museums and galleries and even made a few drawings myself along the way.
I didn't know what it was that I was seeing but some form of energy surged up through my body from the ground. A cold chill cycled over my skin and every hair stood on end. I soon learned that I had arrived at what remained of a World War Two concentration extermination camp, the infamous Dachau, which is one of many sites where so much pain and suffering and death was inflicted. Over the day I walked the ground, which is a monument, viewed the buildings and documentation of horrors inflicted on that site.
Reading, A Train in Winter by Caroline Moorehead recently, I recalled standing on the site of Dachau that day. The thoughts that were previously unimaginable and my journey into the arts.
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Book, Home and Garden, Anna Leonowens Gallery, Halifax, Nova Scotia |