I decided to see how art was made and what became of it once it was released to the public. At the time it wasn't out of the question to save a few hundred dollars and some air fare and travel to Europe. I also wanted to draw and paint along the way, to gather material that could fuel or become an entrance portfolio. For that purpose I took paper and pencils and watercolours. I saw art like I never seen it before. It was in the streets, in peoples homes it was everywhere. I met artists of all sorts, toured schools and museums and galleries and even made a few drawings myself along the way.
I didn't know what it was that I was seeing but some form of energy surged up through my body from the ground. A cold chill cycled over my skin and every hair stood on end. I soon learned that I had arrived at what remained of a World War Two concentration extermination camp, the infamous Dachau, which is one of many sites where so much pain and suffering and death was inflicted. Over the day I walked the ground, which is a monument, viewed the buildings and documentation of horrors inflicted on that site.
Reading, A Train in Winter by Caroline Moorehead recently, I recalled standing on the site of Dachau that day. The thoughts that were previously unimaginable and my journey into the arts.
Book, Home and Garden, Anna Leonowens Gallery, Halifax, Nova Scotia |